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Ill Bill on La Coka Nostra Interview + La Coka Nostra Fuck Tony Montana Free Mp3 Download!

What's up, Bill?
I'm chilling, man. I just got back from LA. I'm getting back into the Brooklyn grind. Shit is all good. It's definitely popping right now.

How was Cali?
Cali was crazy. Mad partying, getting fucked up, getting drunk, and recording mad shit.

What's up with La Coka Nostra?
We've been recording at Lethal's pad. He has the ill studio up in the crib. We got Psycho Realm and B-Real doing some shit with us. Q just did some shit. It's a lot of shit. La Coka Nostra is me, Danny Boy, Everlast, Slaine, Lethal, Big Left, and Kaves. That's the core of the group right there. There's seven of us. At the same time, we do have a big extended fam like Non-Phixion, Cypress Hill, Q-Unique, Psycho Realm…Shit, even Paul Wall wants to jump on a track. It's an interesting album. It's more than an album. I don't want this to sound like a side project. It's definitely a group, but there are definitely going to be a bunch of guests on there as well.
How did the group come about?
La Coka Nostra is Danny Boy's idea. He thought it would be some ill shit and to get a bunch of homies together to work on some music. Nothing serious, almost on some mixtape shit really. We didn't realize it would be what it's become. Once we started doing shit, the chemistry was crazy. We just clicked. It's been a long time since I've had this much fun in the studio. It's been a long fucking time.
What are the sessions like?
It's a lot of listening to beats, writing rhymes, a lot of kush…Everlast has the best weed on the planet. He's famous for that shit. Even Willie Nelson will tell you that nobody hooked him up with better weed than Everlast. You know we're burning on some crazy shit, wasted in the studio.
And to be honest, I'm not on that type of work ethic most of the time. Usually in the past when I would get drunk or high, I wouldn't get much shit done. It's really the opposite with this shit. We're doing three songs a night having fun. Slaine may go in the booth and set it off, any one of us might write the hook, and it goes down like that. We all do a lot of things. It's a group effort and that's why we were able to bang out what we did so far. We're sitting on mad shit right now and we're about to do more.
Lethal's done just about everything so far. We haven't really gone outside too much yet. Muggs is going to be doing shit. Fred Wreck is going to be doing some shit. I just talked to Large Professor and he said he wants to do some shit. It's all about having fun and enjoying ourselves. It's crazy.
We haven't played any music for anybody yet. There's some shit that got leaked on MySpace, but that was early music. There are other cats that are down with us, but it's not the core of the group. For the most part, everything that you've heard so far that's been leaked won't be on the
album.
It's crazy because we already have major labels hollering at us, foaming at the mouth. We haven't even played anybody any music. If you name a label, they're waiting in line trying to get in the La Coka Nostra business.
What do you want from a label?
Straight up and down, there better be at least a million dollars on the table. It's definitely that type of situation. It's definitely some major shit. It's definitely a million or better.
You guys are like the 2006 white NWA.
Yeah, man. That's definitely what it's shaping into. This is some shit for the white boys. Let it be. That's what's up. When people hear this shit, they're definitely going to feel like that.
How are DJ Lethal's beats sounding?
I think people are going to be shocked. People know Lethal as originally being House of Pain's DJ back in the day. He hasn't done any production at all in a long time. He's basically been saving shit and stacking it up. His beats sound crazy. People are going to trip. I didn't know what to expect when I first went in to listen to them. They're insane. To me, they're the best of both worlds, the most grimiest shit and the most polished shit combined. He's coming with a combination of Necro and Dre, if you could cross-over them two dudes. Lethal is crossing over both styles. It's bananas. When motherfuckers hear it, they're going to lose their minds. Everything that we're bringing you is more than just a sound or an album. This shit is a movement. I know everyone says that, but watch.
There's been a little bit of promotion on MySpace that's already taken on a life of it's own. There are 5,000 kids that already have "La Coka Nostra" and "LCN" written after their names. If you think that's something, wait for this record to drop. It's going to be everywhere. It's going to be some shit that motherfuckers, even if they know about it, they're not going to expect it to be as big as it's going to be. All you non-believers reading this shit thinking I'm sooping this shit up, you're going to get smacked in the face with the hand of God when this shit drops.
Would you say there's a leader of La Coka Nostra?
I think everybody brings different things to the table. I think the beautiful thing about it is that we're all generals. Everlast has been in the game since '86 fucking with Ice-T. With House of Pain and as a solo artist, he's already sold ten-million records and better. We're not making one type of music. I've been running my own independent label for years and I'm one of the kings of the underground. The underground is too small for me right now. I'm breaking out of that shit. I'm in the streets and I'm breaking out of the trenches right now. I'm bringing all of that grinding experience to the table right now. Lethal's seen it all and done it all with Limp Bizkit. Danny Boy and Kaves are fucking graphic and marketing geniuses. People don't even know they be doing shit for Nike and mad other people behind the scenes. When motherfuckers hear Lefty or Slaine, they are going to trip. Slaine's about to shock the world. Motherfuckers are going to bug out. They don't know what they're in for. We're going to do the visual shit like Kiss. Danny Boy and Kaves have the vision to make La Coka Nostra what it is needs to be.
How did your deal with Warner come about?
It's more of a Marvel team-up between Uncle Howie Records and Perfect Game Recordings, which is my boy Howie Abrams' label. Warner's paying the bills and they made me an offer I couldn't refuse. This deal allows me to do what I've been doing with Uncle Howie except with a huge staff at our disposal and more money for marketing and promotions. Howie Abrams is a good friend of mine. We go back for mad years and working together now just makes sense. I'm finally at the level, business-wise, to put together a win-win situation for myself with a major. In the past, I didn't have that leverage. I've been eating good on an independent level regardless but this deal right here is the icing on the cake. One hand washes the other and we're better off doing this shit together. Musically, everything is going to be the same as before. But there will be a much bigger push marketing and promotions-wise.
I wanted to be in a position to reach more people, point blank. You can only sell the same records to the same crowd and rock in front of the same audience for so many years. The only way to reach the bigger audience is to get bigger money. I've been fucking with Caroline for Uncle Howie's distro, who is owned by EMI. They do the right thing on the indie level to a point and I have done good business with them for years and will continue to. Caroline doesn't have the money to push their labels the way I want my new album to be pushed at this point in the game. Caroline is great for a new label starting out but if you peep their track record, nobody goes gold or platinum through their system. It's not set up for that. I'm not trying to undersell myself. I have to reach the people that are out there. I feel like there are over a million potential Ill Bill fans out there who just don't know they're Ill Bill fans yet. It takes money to make money, and these motherfuckers got money.

How overdue is your look from a major as a solo artist?
It's all relative. As much as I can point fingers at the Non-Phixion situation on Geffen a while back, I can also point fingers at myself because I wasn't ready. Maybe now I could have turned that piece of shit deal into gold. The situation I'm in now is much better than the Non-Phixion deal. I can handle myself much better now.

It's also a matter of having the right people around you. I have a real management team now. They actually add on to what I'm doing instead of me having to watch over them and clean up after their messes. This is some recent shit. The company's called Strong Management. There is only so much you can do on your own. Then you start micro-managing shit and you don't get anything done.
Have you started working on your next solo album?
Hell yeah. Me and Q-Unique have a bunch of tracks done. He's spitting on there too. I've been working with Sicknature. Me and him are producing a bunch of shit together. Doug Infinite did this song I did with Vinnie Paz. I just did a bunch of tracks with HR from Bad Brains singing on them. Motherfuckers are going to trip when they hear that shit. I did some shit with Moss. Moss is on the grind right now. He did some shit for me that's crazy. I did some shit with my boy Ad-Money from the Lords. Large Professor is going to do something. Necro, T-Ray, Muggs, Lethal, it's going to be crazy. Pharoahe Monch just told Eclipse he'd get on a track. I'm looking forward to that. I'm doing some shit with Tech N9ne and Immortal Technique. Sick Jacken just spit a verse for me. I'm about to do some shit with the kings of New York hardcore Madball. I'm going to get Rae on the album. I just spoke to OC about doing something. My man Skam2 is getting on there. I don't want to rush this album. I want to take my time with it. I know a lot of people are expecting some crazy shit and I'm definitely going to deliver.
What's up with Non-Phixion right now?
Right now, I'm concentrating on my solo shit and La Coka Nostra. But if Sabac and Goretex call me up and say they want to get in the studio, I'm there. I'm going to be putting out Sabac's new CD on Uncle Howie soon. Non-Phixion is still together but we're just taking a little break right now. I can't be Non-Phixion on my own and right now everybody's going in different directions. But when I do my solo tour, it's as good as seeing Non-Phixion because everyone will be there. Recording wise though, shit's on hold. I can't record a Non-Phixion album on my own. The rest of us all have to be writing that shit too. If I write it myself, that would a solo album, not Non-Phixion.
You and Q-Unique seem to have crazy chemistry.
Hell yeah. Me and him definitely click. That's my homeboy, aside from all this music shit. That's basically family to me. Me and Q are real tight. We're going to be doing a lot of shit. Matter of fact, we just formed this company called Ill and Unique Productions. Shit is going to be popping. You're going to hear what we've done beat-wise. You're going to get your first taste on my record. Me and Q are working on some shit together. We're also working on an Uncle Howie/Psycho Realm album. We'll be doing beats on that. Q's spitting all over that. There's a lot of shit going on, bro. I'm about to do a collaboration with Royce da 5'9" for Slaine's solo album. MF Grimm just asked me to do some shit. I just did something for Thirstin Howl's new mixtape. U-God just asked me to spit something on his new album. I just did something with Paz for the next Jedi Mind album. I can't even remember everything right now. It's a busy time. I don't think I've ever been busier than right now.

It seems like everybody wants to work with you.
Yeah. It definitely feels good. People are finally starting to check for me. I don't think people understood that Ill Bill was in Non-Phixion and they probably didn't understand what Non-Phixion was. I definitely feel that as far as my solo career goes, people are definitely taking notice of what I do.
How much time have you been spending on production lately?
Not as much as I'd like to. I've just been so busy lately recording vocals that me and Q haven't been really able to do that much aside from what we've done for my album, but once it's done, we're going to get grinding with it real serious. Sicknature has some crazy ideas and were ironing them out now. I'm starting to pick up the bass guitar again, so I'm putting some live basslines on songs. I'm enjoying that. Being a producer is a full-time job and so is being an MC. That's why when I see what Necro has achieved, it's very inspiring. Since they're both full-time jobs, that's why I've shied away from the production until now. I've gotten the bug again and it's going to be easy for me to do it now since I'm building everything I need in the crib.

How's the "Coke Versus Weed" mixtape with Raekwon coming?
Right now, we're both really busy, so we got sidetracked on it. Also, a few offers came in and they want to turn it into an album instead of a mixtape with Necro, RZA, and Premier on the beats. He's finishing up "Cuban Linx 2" and then we can see what's up with the project. It would be much better for it to come out as an album. Once the offers started coming in, we started talking about getting that advance money and giving the fans something better. We're still figuring it out.

Just to get to work with Rae is a blessing in itself. We'll see how it evolves. I can't wait. We're both grinding it out. When it happens, it happens. I'm definitely going to reach out to him because I want to get him on my album.
As I understand it, Rae reached out to you for the mixtape.
Yeah. I met Rae through his DJ, DJ Riddler. Big up to Vinnie Ponte. Rae asked me to jump on a track. Then that turned into two tracks, then three. Then we started talking about doing a mixtape. For Rae to ask me to do a track is the ultimate compliment. I've been listening to Rae for eons.
How is it working with Rae?
It's dope. Dude is definitely a professional. Shit is grizzly. How do you expect it to be with Raekwon? It's as real as it gets.

Have you earned the title "king of the underground"?
I look at it like the underground is definitely something I've conquered. I'm definitely the king of this shit. There are a few people that could claim the title "king." Put it like this, I'm a big fish in a small pond in this underground shit. It's time for me to conquer the mainstream, but I'm not changing a thing. I'm going to be the same scumbag with a bigger budget.

How do you feel about the underground?
Ever since motherfuckers figured they could press up a 12", they ruined the market for 12"'s. Shit is so fucking watered-down that it's fucked the whole game up. I think the same thing happened with mixtapes. Everybody has a mixtape. Motherfuckers are passing the demo stage. Now everybody has a home studio and they're trying to record their album in their crib. That's not an album, that's a demo. I don't know who's going to define it and I guess at the end of the day, you've got to let the motherfuckers live. I'm not trying to fight the game, I'm trying to win the game. To each his own. I'm on some other shit. I'm about to get a show on Sirius. I'm not even worried about what other motherfuckers are doing. I'm focused on what I'm doing. I'm not even worried about mainstream radio and those politics. Between mainstream rock radio and satellite, I'm going to be owning the airwaves over the next couple of years. If a station like Hot97 decides to catch up to me, cool. If not, cool. My business plan doesn't rely on Hot97. The love I get from everywhere else makes it all gravy. Let's not even forget about the internet. I don't think anybody's shown me more love than HipHopGame. It's all gravy, man. I don't even get myself involved in the politics of that shit. I'm doing my own thing. My shit is self-contained.
If you notice and you really pay attention to what's going on with me, I'm not going to nobody and I'm not asking nobody to help me or to co-sign me. Motherfuckers are coming to me, not necessarily for a co-sign, but they're coming to me. I feel like Metallica in 1984 when they were coming up. It's a different kind of music and a different time, but really, it's exactly the same.
What's the Ill Bill radio show going to be like?
It's a throwback show. It's me and my boy Seth Abrams. We're going to do a show that's on some '80's and early '90's shit. We're going to play a whole lot of Hip Hop, metal and hardcore punk. We're going to have mad guests up to the show bugging out. We're going to get dudes like Joe Pesci and Mr. T up there. It's called "The Crack Era Throwback Show" with Ill Bill and Seth
Abrams. We're getting that shit popping right now.

You're one of the first MC's to take advantage of MySpace. How has MySpace helped you?
I think MySpace has basically turned into a music site. Even though it wasn't really that when it started, it turned into something where artists are promoting their MySpace page on their albums. It's easier to promote MySpace because that's where the kids are. It's easier to get them to come to your MySpace page. At the same time they're checking for music, the chicks are looking for dudes to chill with and dudes are looking for chicks to hook up with. It's a twisted-ass social club. For better or for worse, the internet is the most important communication tool we have today. It's vital. Everybody uses it. MySpace took over a large part of the youth culture. A large part of the youth today are on MySpace. When I first signed on a couple years ago, there were five million subscribers. Now there's over sixty million. You can go on my MySpace and I have eighty songs posted up for kids to listen to. Shit is definitely a great way to get the word out on projects. This La Coka Nostra shit has basically taken over MySpace without us even trying.

You have mad friends on MySpace.
Shit is crazy. I have like 30,000 friends on MySpace. It's a great way to get the word out. Kids would rather go to your MySpace page than your website, point blank. You can buy an Ill Bill t-shirt off my MySpace. Rupert Murdoch spent $700 million on MySpace. There's a reason he did that.

What's your focus on a day-to-day basis?
There's a lot of things. Besides recording for my solo record and La Coka shit and doing shows, I'm doing a new company with my boy Howie McDuffie from Draft Records. It's so new we haven't even decided the name yet. We're going to be doing some internet records straight to iTunes. We're also shopping for some major distribution right now. I'm doing some other shit besides being an artist. Out of everyone in the music industry, artists make the least amount of money. It's not smart to just be an artist. You have to have your hand in other things. I'm shopping some acts and keeping Uncle Howie Records going too. We're going through some things figuring out what we want to do. We're going to be putting out some shit soon. I don't want to say too much because the deals aren't done yet, but you're definitely going to bug out when you hear who's coming out on Uncle Howie.

What do you want to say to your fans?
Thank you. I have the best supporters. Thank you for supporting all my projects over the years. Y'all definitely show me mad love. I give you that love right back. I can't wait to see you on tour and let you hear this new shit. Stay tuned. We're not stopping for nobody.


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Kool Keith (of Ultramagnetic MCs) Bio

After single-handedly redefining "warped" as the mind and mouth behind the Bronx-based Ultramagnetic MCs, "Kool" Keith Thornton -- aka Rhythm X, aka Dr. Octagon, aka Dr. Dooom, aka Mr. Gerbik -- headed for the outer reaches of the stratosphere with a variety of solo projects. A one-time psychiatric patient at Bellevue, Keith's lyrical thematics remained as free-flowing here as they ever were with the NY trio, connecting up complex meters with fierce, layers-deep metaphors and veiled criticisms of those who "water down the sound that comes from the ghetto." His own debut single, "Earth People" by Dr. Octagon, was quietly released in late 1995 on the San Francisco-based Bulk Recordings, and the track spread like wildfire through the hip-hop underground, as did the subsequent self-titled full-length released the following year. Featuring internationally renowned DJ Q-Bert (also of the Invisible Skratch Picklz) on turntables, as well as the Automator and DJ Shadow behind the boards, Dr. Octagon's left-field fusion of sound collage, fierce turntable work, and bizarre, impressionistic rapping found audiences in the most unlikely of places, from hardcore hip-hop heads to jaded rock critics. Although a somewhat sophomoric preoccupation with body parts and scatology tended to dominate the album, Keith's complex weave of associations and shifting references is quite often amazing in its intricacy. The record found its way to the UK-based abstract hip-hop imprint Mo'Wax (for whom Shadow also records) in mid-1996, and was licensed by the label for European release (Mo'Wax also released a DJ-friendly instrumental version of the album titled, appropriately, The Instrumentalyst [Octagon Beats]).

The widespread popularity of the album eventually landed Keith at Geffen splinter DreamWorks in 1997; the label gave Dr. Octagon (retitled Dr. Octagonecolygist) its third release mid-year, adding a number of bonus cuts. In early 1999, however, Keith's alter-ego Dr. Dooom unfortunately "killed off" Dr. Octagon on the opening track of First Come, First Served (released on Thornton's own Funky Ass label). Kool Keith signed to Ruffhouse/MCA for his second album under that alias, 1999's Black Elvis/Lost in Space. Records released as Kool Keith followed in 2000 (Matthew) and 2001 (Spankmaster), while the 2002 collaboration Gene appeared as KHM (Kool Keith plus H-Bomb and Marc Live). His next project was a four-rapper group named Thee Undatakerz with Keith taking on a new persona, Reverand Tom. Kool Keith Presents Thee Undatakerz hit the streets in May of 2004. Keeping busy, Keith released Diesel Truckers in August of the same year with old friend/producer Kutmasta Kurt. As if 2004 wasn't filled with enough Kool Keith releases, some truly oddball ones started to appear that year. The Official Space Tape borrowed from previous releases to create the ultimate Keith mixtape, the R&B leaning Personal Album was released in a limited edition of 500 and with a high price tag, plus the Real Talk label issued Dr. Octagon Part 2, an unauthorized release that had little to do with the original and was quickly pulled from the shelves by court order. The next year was much calmer with the Global Enlightenment, Part 1 DVD being released at the beginning of the year, followed by Lost Masters, Vol. 2 in the summer.

by Sean Cooper, All Music Guide...

The Avalanches Frontier Psychiatrist Video!

Well, this is not about hip-hop actually, but the video is incredible, one of the craziest music videos i've ever seen!

DJ Shadow (Article + Walkie Talkie Video)

“RELAX YOUR BACK, YOU’VE ONLY HEARD ONE SONG.” – Shadow’s Digest, May 2006

It’s not everyday an artist has to issue a call for calm, but two months ago DJ Shadow was a man under seige. A war of words was being waged as incensed fans raged across the blogosphere and pillaged messageboards, including Shadow’s own. The catalyst for the insurrection? Shadow’s first single in three years – ‘3 Freaks’. Anything but the cinematic hip hop opus his followers expected, the first taste from his forthcoming album, ‘The Outsider’, was a twisted party rap featuring Bay Area ‘hyphy’ MCs Keak da Sneak and Turf Talk. It’s his homage to the ‘hyphy’ movement – a style he describes as “slightly quirky, fast, club-playable rap with hardcore elements to it” – blowing up in his hometown of the San Francisco Bay Area.

If the shift in direction had some frothing at the mouth, they shat their pants when they saw the Cadillac Escalades and pneumatic booty girls – yes, booty girls! – in the music video. Surely, hyper-ventilating fans asked, this couldn’t be DJ Shadow, aka Josh Davis, the crate-digging maestro who’d made abstract hip hop a high art with releases like ‘Endtroducing’, ‘The Private Press’ and numerous mix tapes? But it was. This guy had the impeccable goatee, the trademark cap – it was undeniably Shadow. Davis maintains he threw ‘3 Freaks’ out there on a “strictly local level” to test the waters within his local club scene. Of course, when you’re streaming it on your MySpace page and selling it on iTunes, local doesn’t stay local for long, and Shadow’s context and history (he was into Bayside rap long before ‘Endtroducing’) got lost in the download. “I just thought this track was a winner and I wanted to see what the local DJs here would think,” Davis explains. “I was really pleasantly surprised with the result, because it’s the first time in my life I’ve ever got any type of radio play.”

As ‘3 Freaks’ portends, ‘The Outsider’ is the sound of Shadow switching off the safety. Tired of being in “a box with a nice neat bow”, he’s traded his sampler for Pro Tools and enlisted a quality crew of collaborators to join him on his new path that leads him all over the musical map. While advance copies of the record (rumoured to be a late August release) have yet to land in Australia, it’s well-known internet knowledge that Davis tag-teams with Q-Tip and Lateef the Truth Speaker, Chris James from Leeds group Stateless, UK rockers Kasabian, hyphy maestro E-40, and rappers Nump and the Federation. He also mixes it up with Mississippi rap artist David Banner, who hollers the previously-unimaginable lyric “DJ Shadow up in this motherfucker!” Clearly, we’re not in Kansas anymore. “It’s funny, because I think this record is much closer to the spirit of ‘Endtroducing’ than anything I’ve done since,” he says of the album’s no-holds-barred approach. “I just wanted to make a record that would challenge people’s perceptions about what hip hop can be.”

Despite the merciless crucifixion of ‘3 Freaks’ in cyber-space, his belief in ‘The Outsider’ remains unwavering. “I think this record is strong. Within the first three seconds, you’ll be able to tell it’s a DJ Shadow record,” he explains. “The left is farther to the left and the right is farther to the right. Removing myself from the equation, I think it’s one of the most diverse records ever made.” By Davis’ own admission, it’s also his riskiest, but it’s a gamble he’s willing to take. Given the seismic life-changing experiences he’s been through in the last few years, a few narky bloggers who like his old stuff better than his new stuff are the least of his concerns. In late 2004, Davis and his wife Lisa’s twin girls were diagnosed as monoamniotic (in most basic terms, two foetuses sharing one sac) in the womb, a complicated condition that could jeopardise both babies. “I was at the hospital four months straight,” says Davis, now the proud father of two healthy girls.

The following year, while driving through London after a playing show, his mini-cab driver fell asleep at the wheel and careened through a red light, broadsiding a speeding police cruiser. Davis escaped with just whiplash, but his views on life, family and music would never be the same. “I was working in the studio on the album and I think it really changed the direction of the album in a lot of ways. You just get to a point in your life where you go ‘what was I waiting for?’ If I have something to say that I want to get out there artistically, tomorrow isn’t promised to anybody. If this is something I want to do and say, you just have to shrug off all the other voices and just do it.”

With a bold new album (almost) ready to rumble, 2006 sees Davis taking inventory and taking charge. The first step has been reclaiming his relationship with his record label, Universal. While he’s been with Island in the UK since 1998, in the US he’s been forced to play musical chairs between Universal subsidiaries, starting with FFRR (US) to MCA to Geffen. Tired of the corporate machine, he cut out the middle-man and signed directly to Universal last May. “It was really good for me to do that because now for the first time in America I’m on a label that had to fight to get me rather than ‘oh, who’s this guy who’s been plonked on our doorstep.”

With a revolutionary new album and his freshly-inked record contract, now the only thing Davis needs to do is finetune his live show, which lands here for the Splendour in the Grass festival and a string of side shows. Back in 2002, he astounded with an audio-visual magical mystery tour through his back catalogue, and this time he’s eager to top it. Even if it means not sleeping until he jumps the plane. “Putting a show together is almost more stressful in certain ways than making an album. It takes me one and a half, maybe two years to make an album and then you come to the end of that process and you’ve got four weeks to get a show together.”

And what will he think if certain train-spotters don’t like what he pulls out on-stage? Again, the Shadow man is unrepentant: “After the events of the last couple of years, I feel like there’s nothing really that anybody could say. I feel fortunate just to be here making music – period.”


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Walkie Talkie Video

Supernatural (the Longest Freestyle Rap Record Breaker) Interview

Widely regarded as the world’s greatest freestyle rapper, MC Supernatural has wowed crowds all over the globe with his seemingly effortless ability to rhyme about any subject off the top of his head. After a series of legendary emcee battles came two albums, a documentary, video game, MTV Cribs episode and countless shows displaying his remarkable talent.

Having torn the roof off at the Chivas New York Fusion Party, we caught up with Supernat on the phone one night before Bangkok got a second chance to see him perform.


BangkokRecorder: How was Samet?
Supernat: Very interesting actually to see a different way of life and to visit the island the day before Buddha's birthday. You know, it was very interesting, it was like going to the country for me, like being in the countryside. It's very beautiful and I got to see both sides: the beautiful and dirty side. We took a scooter right up into the hills. But inspiring as well to be an artist of my calibre to be able come to a place and to actually not only see the touristy side, but also the real part of the island, it was interesting.

BR: Is this your first visit to Thailand? What have been your impressions?
SN:Yes, ma'am. Thailand is a very exotic and interesting place. It's a lot to absorb in a small amount of time, but what I've seen so far is, for me coming from so far away, it's like, every moment is something new for me, just looking at things and signs and talking to people in general. To me, it's something very enlightening. But I like Thailand and I would love to come back and bring my family and show them around the place as well.

BR: How did you enjoy the Chivas New York Fusion Party?
SN:I enjoyed the party very well. I mean, entertainment is entertainment, I had a ball to be able to entertain and do what I like to do in front of a foreign crowd to see how my music affected them for the first time and I was extremely happy actually. I had a ball. I thought the show went off very well and... It was nice to see that people came out to support the party as well.

BR: Were you born with the ability to freestyle or do you work hard at it because it appears very natural, you make it look so easy?
SN:Well, that's why they call me Supernatural because it is natural. I was born with it, but I mean, yeah I definitely practice to keep it sharp to be able to do the things, or anything of that nature takes a certain amount of practice and dedication so you know, I never take it for granted that I have a gift like this. I'm born with it, but it's a blessing from a higher power and I always try to acknowledge that and I also practice, like I said, to keep myself going.

BR: You're hosting the 'Rock The Bells Festival' next month, but is there any truth to the rumour that you're going for the world record for the longest freestyle while you're there?
SN:It's the truth. It will definitely be going down August fourth. It's been sanctioned by the Guinness Book of World Records and it's definitely happening. It is not a rumour. It is the truth

BR: How long is the current record?
SN:It's currently set at eight hours and 45 minutes.


BR: You and Ge-ology worked incredibly well together. How long have you known each other?
SN: I've known Ge-ology since 1993. Ge-ology actually drew one of my first logos for my record when I was signed to East West Records. And at the time, Jerome worked at A & R and I met Ge-ology through Jerome 'cos Jerome hired Ge-ology to draw on my logo and we've been friends ever since.

BR: How will your show at QBar on Wednesday be different to last Friday's show? Can we expect more tracks from your albums?
SN: Um... I don't really know about the tracks from my albums. As far as show, for the Chivas show, it's a little bit different type of crowd. I'm expecting a different type of crowd at Q Bar, so I have a few tricks up my sleeve for the audience. There's a lot of things I didn't do that night, especially because of the language barrier. But I've got a few things that I'll pull out of my sleeve. but every time you come to a Supernatural show, you're always guaranteed to see something different. It's never the same. It's never the same thing twice 'cos it prompts you and it's improvisational. So you never know really what's going to happen until it happens.

BR: Do crowds tend to react differently around the world, and where's your favourite place to perform?
SN: Crowds always react differently depending on where you are and like I said, the language barrier, but if you give a good performance, nine times out of ten, you know, people always understand a good show. They understand a good performance from a bad one, whether they can understand English or not.

And as far as like my favourite place to perform...I would have to say my top three: Africa, Japan and Australia.

BR: What do you like about those places?
SN: Well, Africa just because it's the Motherland, number one. It was an experience just for me to get in touch with the soil of Africa, being a black man and, you know, with people from that part of the world. And Japan because it's funky and they always receive hip hop in a good way. And as for as Australia, they're just wild. The audience always receives the show very well, you know ‘cos they do speak English, so you know...England too. People always love me in England. They always show me a lot of love. I definitely can't complain.

BR: When was the last time you battled an emcee?
SN: It's been quite a while now. You know battling, the one thing I always tell everybody is that I don't like to be pigeon-holed as a battle emcee. I'm an emcee first that battles when necessary. It's been quite a while 'cos that's not my goal in life is to beat everybody up because I know I have a gift. I'd rather lay back and make records, but when the opportunity presents itself or when somebody feels like they want to step up, then I'm always ready to defend myself in that arena.

BR: Who would you most like to work with next?
SN: Production-wise, I'm pretty much self-contained as far as the group of guys I work with out of Seattle, but if I had the opportunity I would love to do a track with Premier or the Neptunes. But for the most part, my team that I work with now, Vitamin D, Jake One, Bean One, you know, I've worked with Muggs from Cyprus... So my whole team is pretty solid in terms of production as well. I plan on producing quite a bit on my next album.

BR: Which emcees do you most respect?
SN: As for as artists are concerned, you know, I would really like to do a song with Pharoah Monche. He's a friend of mine. We're both very busy people so haven't had an opportunity.

BR: In an interview you gave in 1997, you said that hip hop needed a saviour and that Hip-Hop was lost. Do you think it's come any closer to finding its way?
SN: That's a tough question. To a certain degree, I feel hip hop is slowly finding its way back to original music and the gimmicks are slowly fading away. But at the same time, as long as the greedy corporate people are still running the music business, there's always going to be trouble... We just ran a red light! (laughs)... there's always going to be trouble as long as that type of music is around. But, I mean, slowly but surely, I just feel people are tired of hearing the same old thing and it's the people that change things. And if we don't take it upon ourselves to, y’know, not buy those records or support the competition, than hip hop will stay in this state that it's in right now. I believe in my heart that it is changing for the better as long as you have people like Ge-ology and myself, Common, Dead Prez, you know these types of groups.

BR: What was it like working on the NBA Ballers video game?
SN: It was actually fun, it was an enjoyable experience to be working on a video game to all of the characters we had to do just to get a nice game, but definitely was enjoyable... It may have introduced me to a whole new group, to a whole new audience. A lot of the young kids know me from that game now. It was definitely a blessing. It was a good pay cheque too at the end of the day.

BR: What was the last LP you bought?
SN: The last LP that I bought was Ghostface Killah’s Fishscale.

BR: What did you think?
SN: It's dope, that's why I bought it. [Laughs] It's a dope record. I think that Ghostface’s album takes you back to the essence... I dig the stories, the music is incredible. All of the rhymes that he chews...He explored a lot of things on that record. It was a creative record. My hat goes off to him, y’know, I really enjoyed it.

BR: How long until your next album?
SN: We're actually working on it right now. I can't actually say when it will be done for sure. We're hoping sometime by the summer. We've just really started to be honest with you. We're just collectin' beats, but we're hoping to release it next year sometime.


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